Do Patti criticised for incoherent storyline and problematic take on domestic abuse

The newly released film Do Patti, directed by Shashanka Chaturvedi and written by Kanika Dhillon, brings together Kriti Sanon, Kajol, and Shaheer Sheikh in a suspense-driven story that tries to cover multiple genres but ultimately falters in cohesion.

Now streaming on Netflix, the film explores themes of sibling rivalry, love, and domestic abuse but suffers from an inconsistent narrative and confusing plot twists.

The story follows Saumya and Shailee, twin sisters orphaned young and raised by their caretaker Maa ji. Saumya (played by Kriti Sanon) lives with post-traumatic stress disorder and needs extra attention, while Shailee struggles with feeling neglected. Years later, Shailee returns home with a plan to claim everything her sister has - including Dhruv (Shaheer Sheikh), a prominent figure who is also a professional paraglider and the son of a powerful politician.

The plot further thickens when Inspector Vidya Jyothi (Kajol) enters the picture, investigating a case of domestic abuse involving Dhruv. Viewers are left wondering who is innocent and who is guilty, as the storyline raises questions about each character's motives.

The film’s core concept of two sisters confronting an influential adversary is poetically satisfying, as reflected in its title. Kriti Sanon shines, bringing glamour and charisma to both her roles, particularly in her chemistry with Shaheer Sheikh. There is an attempt to create a fast-paced, captivating story.

Despite the promising setup, Do Patti struggles with direction, as scenes feel disconnected and often irrelevant to the story’s intended message.

Its ambitious aim to be an emotional family drama, investigation thriller, and social commentary all at once results in a lack of coherence.

The film's handling of sensitive themes, particularly domestic abuse, is problematic; it controversially suggests that complainants could stage incidents to achieve their desired outcome in court. This portrayal of abuse is risky and might send a misguided message to audiences.

Kajol, as Inspector Vidya Jyothi, gives a reasonable performance but is hindered by an awkwardly executed accent.

Shaheer Sheikh’s portrayal of Dhruv brings a balance of charm and menace, although Tanvi Azmi, playing Maa ji, is less convincing due to an oddly written role.

Do Patti does not have the clarity and sensitivity required for its narrative.